Aurelia Solitaire Ring
1.0ct lab-grown diamond · 18k white gold
$4,280
A sample jewellery store website — fictional business, built by Kunal Choudhary.
All demosGet one like thisDiscover handcrafted engagement rings, necklaces, earrings, and bespoke fine jewelry designed to celebrate life’s most meaningful moments.
Four houses of design, each finished by the same hands and held to the same standard — from the first ring to the pieces worn every day after.
Our house collection began with a single question: how little metal can hold a stone before the light takes over? Every Lumière setting is milled to a hair under two millimetres, then hand-finished so the diamond appears to float above the finger — secure enough to wear for a lifetime, quiet enough to wear every day.
Engineered to return light.
A diamond does not make light — it gives it back. Cut the angles a fraction too shallow and the light escapes through the pavilion. Ours are held to a tenth of a degree, so what enters the crown leaves through the crown.
Spectral response
400nm — 700nm
Grading Summary
Independently graded. Report supplied with every certified stone.
Chapter 1 of 4: Engineered to return light.
The pieces our clients return for — and the ones most often chosen for a proposal, an anniversary, or simply for oneself.
1.0ct lab-grown diamond · 18k white gold
$4,280
0.35ct diamond cluster · 18k white gold
$1,490Original price $1,780
1.4ct pink sapphire · 18k rose gold
$2,890
Four commitments that apply equally to a pair of studs and to a five-figure solitaire.
Every piece is set, filed and polished by hand in our atelier — never mass-produced, never rushed.
Each centre stone ships with independent GIA or IGI certification and full traceability documents.
Complimentary resizing, prong checks, cleaning and re-polishing for as long as you own the piece.
Insured, signature-required delivery both ways, with 30-day returns on every stocked design.
“I came in with a rough sketch and a stone from my grandmother's ring. What came back three weeks later looked like it had always existed. The setting is impossibly delicate and it has not needed a single adjustment since.”
Testimonial 1 of 4: Elena Marchetti
We keep the bench at the centre of everything. Stones are chosen one at a time, settings are cut rather than cast wherever the design allows, and nothing leaves the studio until it has been looked at under a loupe twice.
It is a slower way to work, and a deliberate one. It means we make fewer pieces each year than a workshop our size could — but it also means a ring bought today can be resized, re-tipped and re-polished by the same hands that made it, decades from now.
Work in progress, finished pieces and the occasional glimpse of the bench.
Early access to new collections, private atelier events, and occasional notes on how our pieces are made. Nothing else.
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